Baseball and the Battlefield

In January 1942, Kenesaw Mountain Landis (1866-1944), the national commissioner of baseball, wrote a letter to President Roosevelt in which he asked if professional baseball should shut down for the duration of the war. In what came to be known as the "green light" letter, Roosevelt responded that professional baseball should continue operations, as it was good for the country's collective morale and would serve as a needed diversion.

During the war, 95 percent of all professional baseball players who donned major league uniforms during the 1941 season were directly involved in the conflict. Future Hall of Famers Bob Feller (1918-), Hank Greenberg (1911-86), Joe DiMaggio (1914-99) and Ted Williams (1918-2002) exchanged their baseball jerseys for military fatigues. Feller, in fact, enlisted in the U.S. Navy one day after Pearl Harbor. Because baseball was depleted of so many able bodies, athletes who otherwise likely never would have made the big leagues won spots on rosters. One of the more notable was Pete Gray (1915-2002), a one-armed outfielder who appeared in 77 games for the St. Louis Browns in 1945.            

Not all those who served in the military were superstars. Elmer Gedeon (1917-44), an outfielder who appeared in five games for the 1939 Washington Senators, and Harry O'Neill (1917-45), a catcher who played in one game for the 1939 Philadelphia Athletics, were the two big leaguers who died in combat. Over 120 minor leaguers also were killed. Other players overcame debilitating wartime injuries. One was Bert Shepard (1920-2008), a minor league pitcher turned air force fighter pilot. In 1944, Shepard's right leg was amputated after he was shot down over Germany. The following year, he pitched three innings for the Washington Senators in a major league game. 

The Movies Go to War

Throughout World War II, American moviegoers were treated to a steady stream of war-related programming. The movie-going experience included a newsreel, which lasted approximately 10 minutes and was loaded with images and accounts of recent battles, followed by an animated cartoon. While many of these cartoons were entertainingly escapist, some comically caricatured the enemy. Among these titles were "Japoteurs" (1942) featuring Superman, "Der Fuehrer's Face" (1943) starring Donald Duck, "Confessions of a Nutsy Spy" (1943) with Bugs Bunny, "Daffy the Commando" (1943) with Daffy Duck and "Tokyo Jokie-o" (1943). Documentaries such as the seven-part "Why We Fight" series, released between 1943 and 1945 and produced and directed by Academy Award-winning filmmaker Frank Capra (1897-1991), included Axis propaganda footage and emphasized the necessity of America's involvement in the war, as well as the importance of Allied victory.

As for the main program, movie theaters showed non-war-related dramas, comedies, mysteries and Westerns; however, a significant segment of feature films dealt directly with the war. Scores of features spotlighted the trials of men in combat while demonizing the Nazis and Japanese who perpetuated the conflict. "Wake Island" (1942), "Guadalcanal Diary" (1943), "Bataan" (1943) and "Back to Bataan" (1945) were a few of the titles that centered on specific battles. "Nazi Agent" (1942), "Saboteur" (1942) and "They Came to Blow Up America" (1943) portrayed America's enemies as spies and terrorists. "So Proudly We Hail!" (1943) and "Cry 'Havoc'" (1943) recorded the heroics of women nurses and volunteers at faraway battlefronts. "Tender Comrade" (1943), "The Human Comedy" (1943) and "Since You Went Away" (1944) focused, respectively, on the trials of average American women, communities and families while exploring the very real fear that a loved one who went off to war might never return. The struggles of citizens in occupied countries were portrayed in such films as "Hangmen Also Die!" (1943) and "The Seventh Cross" (1944).

Meanwhile, some of Hollywood's top stars joined the military. Many appeared in government-produced training films and morale-boosting short subjects. Others participated directly in the fighting. Clark Gable (1901-60), the beloved, Academy Award-winning actor, served as a tail-gunner with the U.S. Army Air Corps and flew combat missions over Germany. James Stewart (1908-97), another equally adored Oscar winner, had enlisted in the corps even before Pearl Harbor. He eventually became a B-24 combat pilot and commander and also flew missions over Germany.                                                                                      

Patriotic Music and Radio Reports from the Frontline

As the U.S. became immersed in the war, Americans listened to more patriotic or war-related music. Even before the country entered the war, such ditties as "The Last Time I Saw Paris," which evoked nostalgia for a peaceful pre-war Paris, and "Boogie Woogie Bugle Boy," which charted a young soldier's military experiences, were extremely popular. Other songs with self-explanatory titles were "Praise the Lord and Pass the Ammunition," "Comin' In on a Wing and a Prayer" and "You're a Sap, Mr. Jap."  

Radio was the primary source of news and entertainment for most American households during the war, and as the conflict progressed, people grew increasingly dependent on radio for updates on the fighting overseas. They were riveted by the frontline reports from such legendary journalists as Edward R. Murrow (1908-65). Meanwhile, big bands, most famously the orchestra headed by Glenn Miller (1904-44), and entertainers such as Bob Hope (1903-2003) performed before thousands at military bases. These programs were aired directly on the radio to listeners from Maine to California.  

Dramatic radio programming increasingly featured war-related storylines. One of the most jarring was "Untitled" (1944), a production penned by writer Norman Corwin (1910-) and broadcast on the CBS radio network. "Untitled" traced the story of Hank Peters, a fictional American soldier who was killed in combat.