On this day in 1996, the dancer, actor and choreographer Gene Kelly dies at the age of 83, at his home in Beverly Hills, California.
Born in Pittsburgh in 1912, Kelly graduated with a degree in economics from the University of Pittsburgh during the Great Depression. With jobs scarce, he worked at a dancing school partly owned by his mother, who had insisted that all of her five children take music and dance lessons throughout their childhood. On the side, he formed a dance act with his brother Fred, appearing in local nightclubs and theater productions. In 1938, Kelly decided to try his luck in New York City. He got his first Broadway job in the chorus of Leave It to Me, starring Mary Martin.
On the heels of his first big Broadway success, in My Pal Joey, Kelly headed to Hollywood, having signed an exclusive contract with the producer David O. Selznick. Selznick promptly lent Kelly to Metro-Goldwyn-Mayer, a studio best known at the time for its large-scale movie musicals. MGM put Kelly in his first film, ForMe and My Gal (1942),co-starring Judy Garland, and soon bought his contract from Selznick. Two years later, the studio lent him out to Columbia Pictures to choreograph and co-star in Cover Girl, opposite a then-unknown Rita Hayworth. This film was Kelly’s first major big-screen success and his first collaboration with the director and choreographer Stanley Donen. Cover Girl featured an innovative sequence in which Kelly dances with his “alter ego”–another image of himself filmed separately and combined on a single strip of film.
Kelly continued his trail-blazing in the world of movie dance in his next big hit, Anchors Aweigh (1945), performing a dance routine with the animated mouse Jerry from the popular Tom and Jerry cartoon series. The eight-minute sequence cost MGM $100,000 and took two months to film, but it was celebrated as a breakthrough moment in cinema for its combination of live action and animated footage. After serving in the U.S. Navy during World War II, Kelly returned to the silver screen with 1948’s The Pirate, again opposite Judy Garland. He also made two more films with Frank Sinatra (his Anchors Aweigh co-star), including the hit On the Town, which Kelly directed and choreographed with Donen.
In 1951, Kelly headlined An American in Paris, which won eight Academy Awards, including Best Picture. Kelly picked up a special Oscar, in honor of his “extreme versatility as an actor, singer, director and dancer, but specifically for his brilliant achievement in the art of choreography.” At the pinnacle of his career, Kelly cemented his iconic status with his work in what was arguably the last great movie musical, Singin’ in the Rain (1952). The movie featured one of the most memorable scenes in film history: Kelly dancing and singing alone on the street during a downpour, with only his umbrella for a prop.
As the popularity of big-budget movie musicals waned, Kelly’s films during the 1950s–Brigadoon (1954), It’s Always Fair Weather (1955) and Les Girls (1957)–met with varying degrees of success. Kelly and Donen fell out after working together on their last film, It’s Always Fair Weather, partly for personal reasons: Kelly and Donen’s wife Jeanne Coyne fell in love and were married in 1960 (Kelly was previously married to the actress Betsy Blair). Kelly worked on other projects intended to raise the profile of modern dance, including the dialogue-free Invitation to the Dance in 1956 and an NBC television special, Dancing is a Men’s Game. He also choreographed for the ballet in Paris and San Francisco.
After Jeanne Coyne died of leukemia in 1973, Kelly focused on projects that would keep him close to Los Angeles, where he was raising their two children. Late into his career, he continued to make film appearances and direct the occasional movie, including Hello, Dolly! (1969). Kelly’s last big-screen role was in the kitschy Xanadu (1980), in which he performed a dance routine on roller skates.