Pompey the Great—one of ancient Rome’s most successful generals—was heralded with an extravagant parade for his military successes on September 29, 61 B.C. The procession took place before tens of thousands of revelers in the Eternal City.
The fact that it happened to be his birthday was no coincidence. Pompey had delayed his return to Rome by seven months so the Triumph—as military parades were known—could take place on his birthdate.
Essentially religious observations, Roman Triumphs were as much victory celebrations as they were opportunities to enhance a leader’s political prospects through ostentatious and excessive displays. Over a period of 1,000 years, the Roman Senate granted some 300-plus military parades to its conquering heroes—most of whom used the lavish spectacles to exhibit their authority and wealth to the public. For Pompey, that meant deliberately postponing his Triumph to coincide with his 45th birthday—a personal milestone that, much like today, was often marked with celebration.
“It’s a demonstration of power,” says Michael Kulikowski, professor of history and classics at Pennsylvania State University, Triumphs were "displays of a raw, unadulterated capacity to dominate.”
Power and Pageantry of Roman Triumphs
According to legend, the first Triumph was held in 752 B.C. for Romulus, Rome’s founder and first king. He proclaimed a celebration for himself after defeating the nearby town of Caenina. In a chariot pulled by four horses, Romulus appeared last in the parade, wearing a purple robe and a laurel crown, according to the Greek historian Dionysius of Halicarnassus in Roman Antiquities, written in the first century B.C.
Following his Triumph, the Roman king constructed a temple dedicated to Jupiter, the king of all gods. Future triumphators, as the celebrated victors were called, adopted the practice of undertaking building projects to help ensure the prosperity of Rome. These included arches erected by or in honor of emperors Titus (A.D. 81), Septimius Severus (A.D. 203) and Constantine (A.D. 312), and columns for Trajan (A.D. 113) and Marcus Aurelius (A.D. 193).
As Rome grew in size and strength, Triumphs became larger and more lavish. In her 2007 book The Roman Triumph, renowned classicist Mary Beard describes some of the excesses featured in these ornate military parades:
“[C]artloads of bullion and colossal golden statues to precious specimens of exotic plants and other curious bric-à-brac of conquest. Not to mention the eye-catching captives dressed up in their national costumes, the placards proclaiming the conqueror’s achievements (ships captured, cities founded, kings defeated . . .), paintings recreating crucial moments of the campaigns…”