When “Star Trek” first premiered on TV on September 8, 1966, it was quite unlike anything that had gone before. While science fiction and spacefaring had been on screen for decades, one look at the crew of the starship Enterprise—featuring a Japanese American helmsman, an African woman as the communications officer and a pointy-eared half-Vulcan, half-human science officer—was enough to show that this was an entirely novel undertaking.
But if a key element of creator Gene Roddenberry’s vision was portraying a future in which people of multiple races, genders, belief systems and species worked together for the common good, another was the futuristic technology on display. The Enterprise crew sped through the Milky Way in a spaceship, could dematerialize to transport themselves to the surfaces of nearby planets, flip open communicator devices and talk over huge distances as well as analyze the medical condition of patients by waving a diagnostic tool over them. In later installments of the franchise, characters could explore their fantasies among programmable holograms and use replicators to summon up a cup of “tea, Earl Grey, hot.”